Jenkins and Deuze describe the Internet as a place of "remix" and "remix ability". With forms of participatory media, and the rich web of intertextuality found in web 2.0 media, copyright laws seem nearly impossible to enforce. You Tube videos thrive off of building upon the material of others.
Hip-hop culture seems to be an early adapter to the more lax approach in copyright laws and it seems to have only enhanced the richness of the genre. The system may have to completely dissolve and restructure before copyright laws can function realistically in this changing digital landscape. As tedious as "case by case" rulings will be in determining copyright infringement, the court systems are built on precedent, and if the systems broken, it needs to be rebuilt.
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